I love everything about Christmas. Putting up the tree, firing up every Christmas song you can imagine… drinking egg nog, pretending there’s snow outside (I live in Arizona). And my favorite part? The Christmas movies. Rewatching Elf for the millionth time. You just can’t go wrong and help but feel joyous.
But what if I told you that there’s a classic Christmas movie that you’ve never heard of that had a #1 selling song in it for 50 years, completely changed how Americans celebrate Christmas, and was a box office hit? This issue is about how I went to see “White Christmas” at a private showing at Frank Lloyd Wright’s Taliesin West.
The "Theatre"
I remember pulling into the parking lot of Taliesin West. Driving through a windy road, that’s covered in Arizona desert flora. I was thinking to myself, where the hell am I going? But once I stepped onto that property for the first time I couldn’t help but feel the openness. That’s because Taliesin West is built right into the mountains on the northeast edge of Scottsdale. If you looked at it from an aerial view, you might not even see it because it blends into the surrounding landscape.
Frank Lloyd Wright built this sprawling property in the late 1930s as his love letter to the desert. He was aging, and needed to get out of Wisconsin's harsh winters. He wanted to create a place where he could work, teach his students, and live out the rest of his life. It’s one of the only architectural wonders I’ve ever seen in Arizona that feels like it’s been there for thousands of years. The walls are made with rock that was extracted from the earth just a few miles from the property. The wood furnishings are made of trees just a step over. It’s like nature birthed this place.
So when I heard that during the holidays last year, they would be showing movies set in the same era as the Taliesen West, I had to go see what it was about.
A classic showing
Inside, the theater is very intimate. The seats, the projector, how sound weaves through the front to the back… it’s the same as Frank Lloyd Wright left it. There’s some light chatter, the smell of fresh popcorn, and hors d’oeuvres that you can snack on as you walk in. It feels like you’re watching a show inside a cave… a small cave that’s been soundproofed for an Opera. The rocks that encapsulate the theater have been there for millions of years, creating a portal-like movie experience. The sound system is still the same as it was originally constructed… with the acoustics purposefully designed for natural surround sound.
When my fiancé and I sat down with a glass of vino, prepping ourselves for the movie, we had no idea what “White Christmas” was. Never heard of it. All we knew was that it was some Christmas movie from the 50s.
“White Christmas,” directed by Michael Curtiz, immerses you into a romantic musical comedy set in Vermont about two World War II veterans (Bing Crosby and Danny Kaye) who become successful entertainers, and meet a sister act (Rosemary Clooney and Vera-Ellen) who team up to save their commander's struggling inn.
As Bing Crosby started to sing the tune of “White Christmas” it hit me. Wait a minute… is this where that song is from? You’ve no doubt heard the song every Christmas season too. The original was written by Irving Berlin. Bing Crosby sang the song years before on his CBS radio show. Eventually “White Christmas” went on to win an Oscar for best song, and stayed #1 on the charts for years. It became the all-time best-selling single for 50 years until Elton John released “Candle in the Wind” in 1997.
The Taliesin West staff holds an intermission during the movie, which is smart. It makes it feel like it’s an exclusive showing and gave me an opportunity to get another glass of cabernet. I sat back down and overheard two film buffs chatting a couple of rows from me. They were discussing how important this movie was to filmmaking. During a time when movies were going through a transition, “White Christmas” was the first to use a new color technology. VistaVision, the brainchild of Paramount Pictures, gave the picture finer quality—giving it a more rich and luminous look. It’s safe to say it was the first real version of HD in color.
I started to appreciate what I was seeing. I was watching a piece of history, while inside a piece of history. Very meta.